Many who conduct research with children in schools will be familiar with interview responses that are monosyllabic or seem designed to please (Mayall, 2008). Children can be shy, wary of school-related adults, and unused to being listened to seriously (Hargreaves, 2017). Eliciting children’s subjective experiences therefore requires a distinct approach; not only must interviews be supportive, fun and developmentally appropriate (Linzmayer & Halpenny, 2013), but they should avoid relying only on verbal responses. Doing so risks marginalising the voices of those who are least confident and articulate with adults, and therefore has classed, raced and gendered implications for research. This blog post outlines some activities developed for a longitudinal study on low-attaining children’s experiences of primary school (Hargreaves et al., 2022), drawing on play and drama therapy techniques (Jennings, 2005) and the multi-method MOSAIC approach (Clark & Moss, 2011).
Working in metaphor proved particularly effective for exploring sensitive topics such as attainment labels. It provided ‘psychic distance’ (Drewes & Schaefer, 2015, p. 39) from the subject matter, making it easier for the child to express feelings or experiences they found difficult to acknowledge as themselves (Pernicano, 2015). For example, we introduced a dolls house classroom occupied by toy animals on the morning of a test, and participants chose animals to represent people, including themselves, before playing out the action. This threw up new themes that had not emerged in more traditional interview activities and often proved a rich source of exploration. Sam dithered between choosing a snail and a tortoise to represent him, before settling on a chameleon. His explanation of his choices and each animal’s skill at hiding – protected by a thick shell or camouflage – revealed his fear of tests, his anxiety about being slow and the humiliation of finishing last. Michael, who had previously said only good things of his teacher, cast him as a spider, explaining: ‘he hates spiders, he’s scared of spiders, so I will put him as a spider’, an act we interpreted as punishing his teacher, who had just read his low test marks aloud to the class. Clara, who maintained she enjoyed tests and did well in them was, as an animal, able to shout that she hated tests and storm out of the doll’s house classroom.
However, working in metaphor was only useful with those who avoided owning their feelings and added nothing to interviews with Ellie, who was keen to explain how much she hated tests and how ‘dumb’ she felt. With her, stimulated recall – watching a video of herself in class while explaining what she had been feeling at the time – proved more valuable and could trigger an outpouring of emotions impossible to deduce from simply observing her.
